نشریه مطالعات زبان و ادبیات غنایی
پیاپی 36 (پاییز 1399)

Mowlavi is one of the greatest mystics of the storyteller of Persian literature who has turned to the story of the Qur'an, in order to express ethical and mystical points.  One of the important elements of Quranic stories, which are used in Mathnavi by Rumi, are the characters and figures of the Quran, especially prophets.  Rumi has used many Quranic verses in Masnavi, and one of Mowlana's most important techniques in dealing with Quranic verses is their interpretation and luscious interpretation  Interpretation in Islamic culture, especially in mystical literature, is a term that is used as an esoteric interpretation and from the appearance to the backwardness.  Basically, believing in the backbone of affairs is at the heart of the Maulana thinking, for which he is paying special attention to the interpretation.  He believes that the Holy Quran has an inner one hidden under the appearance of words.  The interpretation of the verses of the Holy Qur'an in Mathnavi is a tangible form of exegesis that transcends inwardness beyond appearance and with the standard of love and taste, but does not negate the appearance.  One of the most important conditions of interpretation in his view is his interpretation that necessitates self-knowledge and cultivation of the soul, and the result is that it means that the interpretation should hope for God's mercy.

In the field of Iranian literature, great poets can be mentioned who have used the art and power of staging in their poems, which is somehow related to the individual and collective identity of all of us Iranians. Feelings and emotions combined with human thinking form the themes and meanings of literary works. Valuable examples of lyrical poems are as follows: complaint, praise, inheritance, religious poems, mystical terms, Khmer, the influence of Islamic culture, satires, prayers, educational poems, descriptions, love poems, calendars, scientific terms ... in This article, which is done in a descriptive-analytical way, the authors try to explain the thought and opinion of Sheikh Kazem Saeedi to answer these questions: What is the worldview of Sheikh Kazem poetry? He has used all kinds of lyrical themes in his poetry and which type has more applications? Love poems, descriptions, complaints, Khmer, nationalism, Qalandariat, mystical and didactic terms in the poetry of Sheikh Kazem are the results of the present study.

Romanticism is an important move in the history of art and global thinking. In the present study, nature, imagination, and freedom have been selected from among the significant elements of romanticism based on the high frequency in the poems by Lord Byron and Simin Behbahani. Taking the relationship between and among these elements into account, it could be seen that the tendency towards nature, imagination and freedom play basic roles compared with the other elements of romanticism. The results of a comparative analysis of the aforementioned elements show that, although different in terms of geography, history, culture, and gender, these two poets have some things in common which stem from a common understanding of the nature of romanticism. The results of the present descriptive-analytic study indicated that imagination is a basic issue linked with other poetic elements. Unlike Byron who cannot literarily configure freedom as a specific issue despite his great efforts, freedom could be found in Behbahani’s poems admiring woman as a gender. However, the relationship between these elements in the poem of both poets similarly show that nature is an eternal source for imagination while showing freedom whereas the very imagination represents the freedom of soul and thought in romanticism.

The manifestation of love in epic works has caused an inseparable and pleasant connection between epic and Lyric. Ferdowsi's Shahnameh and Rustavi's Leopard Cloth are among the works in which epic and richness are intertwined. "Love" has a high place in these two works. In the Knight In The Panther Skin , love and romance topics have a high frequency and the story revolves around love and epic. In such a way that sometimes the story begins with love, or continues with love, or ends with love. In Shahnameh, there is a story of love, a love that can be seen in the service of epic. This article examines the characteristics of love and epic in these two larger works of literature of the two great nations of Iran and Georgia by describing and using library resources. The purpose of this study is to show that a literary work is a good platform for raising various issues that lead to a variety of topics.

Fictional poems are one of the literary genres in the field of Persian and military literature. One of his lesser-known imitators is Khajeh Massoud Qomi, the owner of Masnavi Shams and Qamar and another anonymous poet who composed the poem Qamar Shah after him. The purpose of this study is to comparatively examine these two systems from the perspective of narrative elements. Obviously, the mentioned research is important and a necessity in order to express the strengths and weaknesses and to recognize these two systems. The research method is analytical and descriptive and it is a library research. The statistical population of the study includes 3114 verses of Qamarshah manuscript and 2076 verses of Masnavi Shams and Qamar by Khajeh Massoud Qomi. In general, it can be concluded from the present study that the design and plot of both simple, general and elementary systems and the angle of view is third person. The approach of Masnavi is Khajeh Qomi, Bazmi, martial and educational and Qamarshah, Bazmi, martial and religious. The epic approach in both systems is stronger and more successful than the lyrical part. Shams and Gamar is stronger in terms of characterization and staging in terms of time, place and environment of the story. Shams and Gamar and Gamarshah is more stable in terms of composition and poetic style.

One of the important fields of lyrical poetry is its social dimension, one of the dimensions of which is family life. His views on the family are in line with Islamic traditions and traditions. Rumi pays much attention to the status of family and women in marital life, children and upbringing, family life, parental rights, and so forth in both the doctrines and the rules and it has promoted the dignity of the family system. In his view, men and women are responsible for meeting each other's emotional needs. Love is the basis of family relationships, although the man is responsible for earning a living and paying attention to the welfare and upbringing of children, and housework, childbearing, and the upbringing and education of children are the responsibility of women. Rumi has also made connections between many family relationships and mystical concepts; For example, for him, marital life can be a symbol of the creation system and the relationship between man and God and the creation and maternal attachment of God. In his view, men and women complement each other. This research is a descriptive-analytic study with regard to the verses and hadiths about women and the family and analyzes the Rumi's theories about the family and its rights.